Read Online Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum By Jason Felch,Ralph Frammolino

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Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum-Jason Felch,Ralph Frammolino

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A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).   In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller.   “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review   “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting

Book Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum Review :



A really fascinating read about the world of looted art and how it ends up in the major American museums. While everyone knows the story of the Elgin Marbles and continued conversations about whether the British Museum should return them to Greece, the story of the Getty isn't as well known even though Marion True made worldwide news in the discussions around prosecuting her for her role in the museum's acquisitions.This book traces the story from the so-called Getty Bronze, which a collector wanted Getty himself to purchase to items that came to the museum from Maurice Tempelsman to items that were acquired through a tax donation scheme by Jiří Frel to the Greek/Sicilian sculpture found in Sicily that formed the book's namesake and beyond. This isn't just the story of the Getty, but rather the story of the issues surrounding American museums and their curators in the years after the 1970 UNESCO declaration. Philippe de Montebello, Thomas Hoving and other art world leaders faced the same dilemmas that Munitz and the others at the Getty did.Very readable, fascinating history. Only quibble is it sometimes jumped back and forth in time so it wasn't a sequential narrative.
The stories of illegally excavated art investigated in this book span decades of smuggling, legal battles, and near constant prevarication on the part of museums. It's a fascinating look at corruption and hypocrisies in museums, all the more interesting and surprising (to me, at least) because I wasn't familiar with these pieces of art or the Getty's legal woes before picking up this book.When one thinks about it, it's not remotely surprising that many of the antiquities displayed around the world in museums are looted or illegally exported, given the historical plunder of source countries. What's surprising is the complicity of museums, and the lengths to which the world's leading museums went to protect their acquisitions' veneer of legitimacy. The Getty and other museums used their missions of public education as an excuse to build prestige by acquiring looted antiquities, all the while declaring their devotion to legitimizing the antiquities trade.It's an amazingly well researched book. Complicated import/export laws, museum policies, and foreign legal proceedings are explained in a way that is easy for someone completely unfamiliar, such as myself, can easily follow.

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